Dual memory slots, dual image processors, and dual But then again, they cost thousands of dollars less
If your itinerary includes industrial environments,īouncing over miles of unpaved roads, dust, heat, humidity, nasty weather,Īnd/or incoming enemy fire, these are the cameras you want to pack.įull-format 35mm DSLRs from Sony (Alpha a850 & Alpha a900), Nikon (D700),Īnd Canon (EOS 5D Mark II) all take terrific, pro-quality photographs, butĪren't built to take the same levels of use and abuse as the Nikon's D3 andĬanon's1D-series cameras. The shutters on the pricier DSLRs are rated beyond 300,000Įxposures, a claim that is reinforced by the precision 'clicks' they sound off Particularly robust and are the toughest and most precise imaging machinesĪvailable today. Nikon's D3-series cameras and Canon's 1D-series cameras are
Prolevel 2000 iso#
While the ISO ratings on the Nikon D3S and Canon's 1D Mark IV canīe set as high as a quite-usable ISO102400, medium-format backs cap out at aĬanon, Nikon, and Sony are superb imaging machines, and they each offer muchīang for the buck. Restrictive on the medium-format capture backs, compared to their 35mmĬounterparts. Number of pixels (up to 60Mp), pesky moiré patterns, artifacting, and colorĪberrations are reduced-in most cases-to non-issues. Imaging sensors (up to 2.5x larger than full-frame 35mm sensors) and the higher Because of the larger physical size of medium-format Photographing intricate patterns or textures common to textiles, industrial,Īnd fashion applications. The studio or on location, medium-format backs are particularly fit for With medium-format DSLRs, it takes a bit more foresight and a far more So while capturing action is quite doable Per second if you have a strong tailwind. Shooting with medium-format backs, usually in the neighborhood of 1.5 frames Unlike 35's, your autofocus parameters are restricted to a single AF point Takes more torque to run the AF motors on the heftier medium-format optics, and Restrictive compared to their 35mm counterparts. The AF systems found on medium-format backs are noticeably slower and somewhat Times are among the requirements for the work you do, you'd probably be better On the size of the imaging sensor-approximates the angle of view (94°) of aĢ1mm lens on a 35mm camera, through telephotos in the range of 200 to 300mm.ĭepending on the manufacturer, you can add to this list a modest choice of Medium-format cameras offer a narrower choice of optics, ranging from an ultra-wide 28mm which-depending
Prolevel 2000 pro#
Optically, 35mm-based pro DSLRs offer the widest variety of lens options ranging from fisheye-circular or full-frame-through extreme telephoto, and they are available as fast, fixed focal-length lenses or in a variety of zoom options. Speeds up to and beyond 1/250 th-second, enabling creative fill-flash Selection of exposure and AF options, the shutter speeds on most all pro-levelĭSLRs range from 30-seconds through 1/8000 th-second, with sync Most of the top DSLRsĪlso feature 3" LCDs with 900,000-plus dots of resolution. The exceptions are Nikon's D700 (95%), Sony's AlphaĪ850 (approx 98%), and Canon's 5D Mark II (approx 98%).
Used on less-expensive DSLRs) and most displayġ00% of the image area. Pro-level DSLRs are all glass (as opposed to the less-efficient pentamirors Why you would choose one format over another is dependent on what sort of work you plan on doing. Medium-format backs (minus a body and lens) start at about $8000, and continue on upwards of $30,000-plus for a camera/lens/capture back package. In terms of price, the 35's go for between $2000 and $8000. Pro-level DSLRs come in two format - 35mm-based and medium-format - which in the digital world means anything between 36x36mm through 60x45mm (a.k.a.
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